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O 300 D - Active Studio Monitor with digital inputs
Discontinued, Production from 2002 until 2013
 
General Description

The goal: accurate, absolutely uncolored sound
Our aim with the O 300 D was to strive for nothing less than perfection in developing the best compact active reference monitor possible, with accurate, uncolored sound, superb transient response, and ideally shaped waveguides.
The O 300 D is a monitor which draws upon all of our years of experience in monitor design, which has been fine-tuned through extensive computer simulations and countless listening tests. It is indeed unique in its class, for it does in fact deliver superlative sound absent of colorations, precise bass response, picture-perfect dispersion patterns, and a stunningly real soundstage with remarkable image focus and depth.

The advantages of the three-way system
To authentically re-create the sound captured in a recording-particularly a recording of the human voice-an active three-way system was chosen. In comparison with two-way monitors, the 300 D offers clear advantages that have been discussed in detail earlier in this catalog. The sophisticated three-way design employed in the O 300 D makes this loudspeaker system extremely precise and revealing of detail, and it enables the mixing engineer to make critical judgments with supreme confidence.

Exact localization and extraordinary sense of space
By utilising a dense, new, extremely low-resonance material called LRIM, we were able to mold the waveguides required for optimal dispersion directly into the baffle. The elliptical shape of the high-frequency horn makes the dispersion angle in the vertical plane more narrow thus reducing the amount of early reflections off the console surface which would otherwise interfere with the direct sound from the speakers (comb-filter effects), thereby improving spatial definition. At the same time, the effective horizontal listening area is made wider, giving the recording engineer greater freedom of movement in front of the console. The use of LRIM has also made it possible to align the acoustic centers of the two drivers exactly on one plane, parallel to the baffle, thereby preventing time and phase coherency problems at the crossover frequencies. This allows the individual drivers to work together perfectly to produce a precisely detailed soundstage.

Superb sonic qualities
For a loudspeaker system to achieve extremely flat frequency response and create an authentic reproduction of the original sound, its components need to be of very high quality, carefully manufactured, and selected for their compatibility with one another.
The 8¼” (210 mm) cone woofer is made of a special lightweight polypropylene material that has excellent self-damping properties. Its long-excursion voice coil enables this driver to produce very low frequencies at high sound pressure levels with practically no distortion. In contrast to common bass-reflex systems, which tend to blur the low end, the acoustic suspension system of the O 300 D delivers tight, articulate bass which is strikingly clear, detailed, and natural, particularly in transients.
The midrange is handled by a treated fabric dome with a diaphragm/voice coil of 3" (76 mm) in diameter. Since its mass is much lower than that of cone drivers, it has the advantage of being able to achieve superior impulse response and extremely uniform amplitude response. As a result, midrange reproduction is impressively true-to-life, especially with the human voice.
The high-frequency driver is equipped with a titanium/fabric dome that combines the transparency of a titanium dome with the low distortion of a fabric dome. This driver has been finely matched to its elliptical waveguide, ensuring exceptional directivity.
All three drivers are magnetically shielded, allowing you to place the speakers directly next to video monitors or computers.

Precise room-matching
The O 300 D includes very flexible room-matching circuitry to alter the am plitude response of the monitor as needed, depending on speaker placement, in multiple steps and in three critically relevant frequency ranges. This flexibility can be instrumental in turning less than ideal room acoustics into a favorable listening environment.

High-performance amplification
Each of the three drivers in the O 300 D is powered by a high-performance amplifier that is exactly matched to the driver’s technical requirements and which embodies our long years of audio experience. Precisely tuned electronic crossovers help provide proverbial operational reliability and high amplifier output with minimal distortion.
The monitor is equipped with effective protection circuitry designed to allow impulse peaks through and to respond with limiting only when a voice coil is in danger of thermal overload or a power amplifier runs the risk of overheating. Activation of the limiter is indicated by blinking of the illuminated logo.

Future-proof digital input
The O 300 D is equipped with switchable inputs for analog signals and digital signals in both AES/EBU and S/P-DIF formats. The D/A converter incorporates the latest technology, has a wide dynamic range, 24-bit resolution, and accommodates sampling rates from 32 to 96 kHz. The analog input of the O 300 D is tranformer-balanced and floating, utilising a superior quality transformer that, even at high volume levels and the lowest frequencies, helps achieve extremely low distortion.
The input sensitivity of +6 dBu allows you to connect all standard studio signal sources.

Unique: separate inputs for external processing
A special connector included as standard equipment on the back of the O 300 D gives you direct access to each of the three power amplifiers. This unique feature enables you to use an external digital controller Pro C 28 to modify the response to compensate for amplitude and phase anomalies resulting from the monitor’s placement in the room or the particular acoustic conditions of the studio. While this type of acoustical optimization will require the appropriate experience and equipment, it is certainly more economical than a structural renovation of the studio.

Solid enclosure, award-winning design
The monitor stands out not only for its sound but also for its attractive, modern design, and in fact received an international design award in 1998. The sides of the cabinet are constructed of low-resonance wood, and the front baffle is molded of dense LRIM. The cabinet is available in either a charcoal-gray enamel finish or any other RAL color. The attractive metal grille is the final touch.


Awards



SOUND ON SOUND
AWARDS 2012
Nominierung

Block Diagram (Download)


Features

3-way system design
 The most important part of the frequency spectrum is reproduced by a separate midrange driver
 Extremely low-distortion reproduction
 Exceptionally neutral sound stage from 40 Hz to 20 kHz
 No standing waves in the enclosure and no bass driver cone break-up

Unconventional enclosure concept
 Very compact enclosure constructed using ideal materials with excellent self-damping properties
 Structural resonances avoided using LRIM (Low Resonance Integral Molding)
 Very accurate bass reproduction due to sealed enclosure
 Acoustic centers of loudspeaker positioned on one plane
 Homogenous front baffle with no diffraction or acoustical discontinuities
 Wider effective listening area for main monitor when horizontally installed
 Modern-looking design with optional baffle cover/grill
 Extensive accessories allow for a multitude of installation possibilities
 Magnetically shielded for use next to CRT screens

Functional waveguide
 Wide horizontal directivity gives increased freedom of movement along the mixing console
 Narrow vertical directivity reduces the effect of early reflections off the console surface
 Perfect directivity pattern leads to a smooth power response

Advanced Electronics
 Integrated electronic limiter for each driver
 Active three-way crossover with 24 dB/oct. slopes
 Transformer balanced input equipped with special distortion reduction crossover function
 Power and overload/limiter-display integrated into the front panel logo
 Controls adapt the monitor’s response to compensate for the room location

O 300 D
 Additional 24-bit and 32-96 kHz digital input for AES/EBU, AES 3id and S/P-DIF
 Input connector for external Pro C 28 FIR digital controller
 Transformer balanced analog input

Delivery Includes
 1x O 300 D
 1x Power cord
 1x Operation manual
 
 
 Klein+Hummel O 300 D Front View

     Klein+Hummel O 300 D Front View (Version: silver), Rear View

   
   
   
Information
· General Description
· Technical Data
· Accessories
· Variants
· Measurements
· Download
· Tender Description
· Further Images
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